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NOTES FROM "THE SHAPE OF PUNK TO COME")
The
worms
of the senses ponder quickly towards destruction. Winning is not everything
but in our elitist competitive society it is all that matters. Rice cakes
for the people and caviar for the leaders who built our world around machines,
money and matter. We were left out of the plan and our destination is set
by the used car dealer or the factory boss. Bored we walk home with our
heads hanging and our creativity stolen as an effect of capitalist gain.
In a dream state there is nothing more than simple abstraction of the mind
from the matter and the belief that work will somehow “macht frei”. The
theory that Marx recognised from Feuerbach, and no we, the people, need
to see the spectacle that binds us to our “destiny”. Alienation is not
commodity, figures, statistics or make believe but very much a real tool
of oppression and seclusion. If we can’t take our part then we must not
take part. The faculties of the skull are another dimension of that
which is sucking us dry. The imperialisation of the third world is dominant
even in our taste for soft drinks and afternoon snacks. With dry wits and
knuckles dragging the ground co-operations claim that profit is rightfully
theirs and that the blood squeezed out of Africa, South America, Burma,
The Baltic states and South Asia is nothing but market interest and public
craving. Their products are death and they are salesmen of corruption
and power abuse. They are the slave dealers of our time. They are the inquisition.
They are the machine that must be stopped.
Turn the knob
and wait for the liberating sound of ecstasy and revolution. Who pays the
newsman and who owns the radio stations and who runs the record label?
Who benefits from the de-politicizing in art and music and who benefits
from the clean sound of the next pop wonder? Who runs the game show and
who pays the salaries to the reporters? Here and now we offer you a taste
of our liberation frequency, provided by us for your satisfaction
and excitement. This is radio clash, 33 Revolutions Per Minute, our haven
of thoughts and ideas. It could be yours too, if only you’d let yourself
go and turn the knob and listen and love and sing and think.
Stuck by the
deadly rhythm of the production line. Stuck by the conditions set by
the capitalist market. Stuck by the necessities of living and forced to
take part. If we are tired it is because we are supposed to be and if we
are hungry it is because we have to be and if we are bored it is because
it is expected of us. Bored and chained and stuck and dead. New forms of
work camps are arranged and new ways of hiding the monotonous beat of slavery
are being presented. The preliminary condition required for propelling
the workers to the status of “free” producers and consumers of commodity
was the violent expropriation of their own time. The spectacular return
of time was made possible only after this dispossession of power. Urbanism
is capitalism’s seizure of the natural and human environment; developing
logically into absolute domination, capitalism can and must now remake
the totality of space into it’s own setting. Time, work, environment and
joy all have their norms set by modern ways of production.
The awkward
youngster touches his poster and glances upon the stars and the heavens.
The day seems neverending and there is a certain notion of innocence and
childhood play. The mantra will be repeated and we will learn to obey and
love and cherish the chosen few. Manners inconceivable and then we have
to live. Ideals corrupted and echoes from the past about ideas once held
true are shining like untouchable constellations. But we are all stars,
shining and burning, cruising down the highway looking for the next stop
and the next break from capitalised boredom and slavery. Then there is
the option of summer holidays vs. punk routine. Then there is greed
and money and fallen heroes. “We are all tired of dying”. So why not try
and live for a change and turn that glimmering into bright shining creation
through the realisation that you know everything and that you are you?
Must I paint
you a picture about the way that I feel? This situation of Art vs. Life
and the present elitism within the bourgeoisie and upper-class. The critics
hold their heads high cause they know about the real suffering and the
real work while we get the easy accessible forms of communication and entertainment,
pinned down simple for us to comprehend. The lack of stimulants within
art, politics and life lowers our standards which is why we settle for
talkshows and MTV. We are not stupid, but if we are treated like ingrates
we will start to act like children. The lack of challenging forms of expression
and thoughts of fire and self-confidence gives us a passive and hollow
nature. So reclaim art, take back the fine culture for the people, the
working people, the living people and burn down their art galleries and
destroy their fancy constructions and buildings. Cause we, unlike the bourgeoisie,
have nothing to lose and therefore our expression will be the only honest
one, our words will be the only challenging ones and our art will be the
one revolutionary expression. We need new noise and new voices and
new canvases to become something more than the last poets of a useless
generation.
The credentials
with which we call upon you are simple linguistics thrown and tossed liked
flaming songs of discontent. The Refused party programme screams
out not 1, not 2, not 3, not 4, not 5 but 6 opinions and 6 structures of
change and 6 levels of liberation. All in all not mystical but direct and
attractive and as we shout “Yeah” you’ll feel the same sensation best described
by Tomas Paine: “Let them call me rebel and welcome, I feel no concern
from it; but I should suffer the misery of devils, were I to make a whore
of my soul...”. Here and now and all the time the mythical touch and the
obvious message. Behold the wisdom of the party program.
Pro (in favour)
– attest (testify for).
The time is
now and still we sit and wait for it to become the now that we think we
need. The movement of protest has strong traditions and we are far from
the first to recognise and use the power of the song and the words from
the young poets. We are trembling from the taste of days gone to waste
and there is inspiration and there is clarity. Phil Ochs stated firmly
“If I have something to say I’m going to say it now” and still protest
song 68 is nothing more than a pastiche, a blueprint of seduction of
the echoes that once filled the corridors of dorms and boys/girls rooms
in an era where rebellion and revolt was present in art and music. From
the first until the last, from the taste of longing freedom to the shackles
of oppression, the weapon of the artist has always been used.
Refused
are fuckin dead that’s what the answering machine said, looks like
this is it!!! They talked one to many shit about the upper-class and the
government, did you hear what those faggots said in some fanzine someone
else read. I heard they are a bunch of spoiled little rich kids who need
to get their asses kicked. Fuckin ingrates! Fuckin pussies!! Refused are
fuckin dead guaw huydsas kjhds aowedde (fighting sequence). Refused are
fuckin dead by order of the postmaster general just like the panthers only
this time for real because SAPO have tapped their telephones and the Umeå
police raided their homes and they must have been killed.
Are you ready
baby? For the shape of punk to come. Get the equipment together
and we’ll meet at the show. It’s gruesome that someone so handsome should
care. We all recognise the hint of the programme screaming at the top of
his lungs that “We’re all dressed up and we got somewhere to go”. Like
the rebellious swing kids of the 40’s or the crazy jazz heads of the 50’s
to the stylish mods of the 60’s we all need to recognise that style in
contradiction to fashion is necessary to challenge the conservatism of
the youth cultures placed upon us. Strict in our style but with a touch
of elegance and freedom and individualism. The uniform and the production
of constructive challenges comes in the most unexpected of shapes, Ornette
Coleman reinvented jazz altogether and we need a new beat to move to so
grab your partner and ask: Do you want to go out with me, watch me get
on my knees and bleed? This blind date might take you to places unknown
and it will be new and scary and vital. But nonetheless there is no danger
in exploration and searching. It never tasted this great to scream “yes”
and you never had more enticing cavalier to hold hands with. The new teen
hysteria of noise and kisses and politics and crazy entertainment and naked
fun and beats and books and poetry and travelling and style. It’s never
been safe to live in a world that teaches us to respect property and disregard
human life. So drop your belongings and get on this soul train, dig the
static sound and think that maybe this once there is just us, the kids,
playing the day away, it’s just us kicking over statues and smashing windows
of houses of parliaments, just to show them who has the real power. This
blind date will take us anywhere we want.
A dream only
lasts so long. Imagine the pyramids inhabited by aliens and the dark corridors
and the dreams and the longing for better financial conditions. The sweat
pours down your neck and you run and you run, heart beating, head pounding,
alive tonight. The streets never sleep, they are glowing, vibrating with
the echoes of laughter and joy, screams and curses. We just need to take
the time and see what it can offer us and how we can break free from this
boredom that the capitalist reign has forced upon us. Tonight we can be
as mighty as tannhäuser and we can tumble excited down the
labyrinths and the turns knowing that
derive` is potent. So where
do we go from here?
The Apollo
programme was a hoax or so we say. The biggest lie was market economy
that blinded us with the glory of prosperity and freedom. The deck was
dealt and we all lost, on our knees in the dirt hoping for salvation and
then we look and there are golden drops of dawn functioning as oral sagas,
keeping us shackled, making glory of the lies that the spectacle provides
us with. So as we sit tight and enjoy the soap operas that are designed
to keep us bleeding out of our eyes and keeps us nodding and sighing, there
is still hope in the petrol bomb and in it, the revolution. For in the
destruction and the overthrowing there is a certainty of salvation. We
need to destroy the museum and it’s old artefacts, we need to tear down
the power structures that enslaves and then in revolution we can live and
be alive. Yes, this is our hymn and our praise to the brave and bold stranger
in the night, to the fed up worker and the angry wife. Hope, revolution
and dedication. Fight fire with fire and everything will burn. Yeah.
This manifesto
is very much for real.
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